This reminds me of a passage from Chesterton's Orthodoxy (had to look up which chapter, turns out it's Chapter VIII, the Romance of Orthodoxy) where he talks about long words as a sign of laziness in our modern busy world. "The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word “damn” than in the word “degeneration.”"
Also, my grade 12 English teacher did an excellent job to pushing me to be direct. Probably lots of summarizing of passages of text and then editing them shorter is a good technique to practice writing more succinctly.
Oh he's wonderful! But I did find that with his nonfiction, it is best to read each section (chapter) in one sitting rather than in little chunks. Also, Dale Ahlquist of the American Chesterton Society has published an edition of The Everlasting Man with footnotes and commentary to help you understand some of the references that were very specific to Chesterton's time.
I agree to some extent. But personal style is also pertinent. I love rare & long words, & feel I’m missing something without them. Long and rare words are not found in everyday speech.
In the same way that mathematicians see beauty in a long equation, I see beauty in long & rare words: they are for the soul like an aged wine or whisky.
Even Orwell sought mass appeal.
I’m not afraid of long words. I’m not hippopotamonstrosesquippedaliophobic.
I used to teach this essay to my high school students. Every word of his is true and significant. The problem lies in the aim to make political pieces "writing with honesty and precision." Too many times, sadly, political speeches, statements, policies, etc. are precisely intended to diffuse and blur the lines. Sigh.
Earlier in "Politics and the English Language" he writes about preferring Anglo-Saxon words to words that come from Latin or Greek, and I like that his final disclaimer concludes with "barbarous."
This may sound nuts, but I often tell people that if they want to understand the point of writing, they should go read the first few stanzas of Tintern Abbey by William Wordsworth. He has a line at the end of that part talking about the ability to “see into the life of things.” That’s what good writing should do for the reader.
Whilst perambulating the dialectical contours of your most recent ideational exposition, I found myself ensnared in a veritable smorgasbord of paradigmatic semiotics — a chiaroscuro of thought that evokes, nay, conjures the ineffable essence of ontological truthiness. The metaphorical scaffolding upon which your thesis pirouettes is, dare I say, not unlike a flamingo attempting ballet on a frozen duck pond — precarious yet transcendent. One is inevitably reminded of the German concept of Weltschmerz, particularly when viewed through a Baudrillardian lens, wherein the simulacrum dissolves into a tantric miasma of post-structuralist longing. Your prose, positively effulgent, dances across the page like a neoclassical banshee high on epistemological ennui. If I were forced — and only under duress — to offer critique, it would be your conspicuous avoidance of polyphonic dissonance, which, as you surely know, is essential to any work aspiring toward dialectical transcendence. Nevertheless, I remain yours, in florid solidarity and linguistic awe.
This is good stuff! Hemingway immediately comes to mind here. He well understood the value of direct language and word economy.
https://hemingwayapp.com/
This reminds me of a passage from Chesterton's Orthodoxy (had to look up which chapter, turns out it's Chapter VIII, the Romance of Orthodoxy) where he talks about long words as a sign of laziness in our modern busy world. "The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word “damn” than in the word “degeneration.”"
Also, my grade 12 English teacher did an excellent job to pushing me to be direct. Probably lots of summarizing of passages of text and then editing them shorter is a good technique to practice writing more succinctly.
I was a big fan of Chesterton in my adolescence. I must give him another try.
Oh he's wonderful! But I did find that with his nonfiction, it is best to read each section (chapter) in one sitting rather than in little chunks. Also, Dale Ahlquist of the American Chesterton Society has published an edition of The Everlasting Man with footnotes and commentary to help you understand some of the references that were very specific to Chesterton's time.
I agree to some extent. But personal style is also pertinent. I love rare & long words, & feel I’m missing something without them. Long and rare words are not found in everyday speech.
In the same way that mathematicians see beauty in a long equation, I see beauty in long & rare words: they are for the soul like an aged wine or whisky.
Even Orwell sought mass appeal.
I’m not afraid of long words. I’m not hippopotamonstrosesquippedaliophobic.
I used to teach this essay to my high school students. Every word of his is true and significant. The problem lies in the aim to make political pieces "writing with honesty and precision." Too many times, sadly, political speeches, statements, policies, etc. are precisely intended to diffuse and blur the lines. Sigh.
I have written speeches for politicians and can confirm what you say.
Very good. I enjoyed this piece. Restacked!
To honor Orwell's advice, you may want to replace the phrase "increase the quality of" (your writing) with "improve."
I received a book of essay by Orwell as a Christmas gift several years ago. Loved it.
When people why don't read Tolkien, I reply "too many words."
Brevity is also masterful.
BTW- LOVE YOUR PAGE
Earlier in "Politics and the English Language" he writes about preferring Anglo-Saxon words to words that come from Latin or Greek, and I like that his final disclaimer concludes with "barbarous."
It wasn't Greek to him.
Indirect language is the prime indicator of inexperience or dishonesty. We would all do well to seek clarity over cleverness.
This may sound nuts, but I often tell people that if they want to understand the point of writing, they should go read the first few stanzas of Tintern Abbey by William Wordsworth. He has a line at the end of that part talking about the ability to “see into the life of things.” That’s what good writing should do for the reader.
Whilst perambulating the dialectical contours of your most recent ideational exposition, I found myself ensnared in a veritable smorgasbord of paradigmatic semiotics — a chiaroscuro of thought that evokes, nay, conjures the ineffable essence of ontological truthiness. The metaphorical scaffolding upon which your thesis pirouettes is, dare I say, not unlike a flamingo attempting ballet on a frozen duck pond — precarious yet transcendent. One is inevitably reminded of the German concept of Weltschmerz, particularly when viewed through a Baudrillardian lens, wherein the simulacrum dissolves into a tantric miasma of post-structuralist longing. Your prose, positively effulgent, dances across the page like a neoclassical banshee high on epistemological ennui. If I were forced — and only under duress — to offer critique, it would be your conspicuous avoidance of polyphonic dissonance, which, as you surely know, is essential to any work aspiring toward dialectical transcendence. Nevertheless, I remain yours, in florid solidarity and linguistic awe.
I love thise rules AND I love Ogilvy even more!
Excellent article Culturist. Really useful tips here.
Harsh yet honest!
I would also recommend learning Elmore Leonard's rules for writers.
Very helpful essay. Thanks.
Timeless wisdom! These rules are worth keeping in mind.